Rome |
The Cabala |
provided the setting of |
— |
— |
New York, NY |
Our Town |
setting transferred to |
— |
— |
Vienna |
Never Call Retreat |
appears as a projection in |
— |
— |
New York, NY |
Never Call Retreat |
provided the setting of |
— |
— |
Paris |
Never Call Retreat |
appears as a projection in |
— |
— |
Concentration camp (stereotype) |
Never Call Retreat |
provided the setting of |
— |
— |
Germany |
Hyperion |
is referred to |
— |
— |
Provincia de Tierra del Fuego |
Voyage of the Beagle |
is referred to |
— |
— |
Vienna |
Der Mörder trinkt keine Milch |
provided the setting of |
— |
— |
Vienna |
Man lebt nur zweimal |
provided the setting of |
— |
— |
Vienna |
Internationale Zone |
provided the setting of |
1950 |
— |
New York, NY |
Five Graphic Analyses |
place of publication |
1932 |
— |
Vienna |
Five Graphic Analyses |
place of publication |
1932 |
— |
Vienna |
The Emperor Waltz |
appears as a projection in |
— |
— |
Tyrol |
The Emperor Waltz |
appears as a projection in |
— |
— |
New York, NY |
The Ides of March |
place of publication |
1948 |
— |
London |
The Woman of Andros |
place of publication |
1954 |
— |
New York, NY |
The Angel that Troubled the Waters and Other Plays |
place of publication |
1928 |
— |
New York, NY |
The Long Christmas Dinner and Other Plays |
place of publication |
1931 |
— |
New York, NY |
The Bridge of San Louis Rey |
place of publication |
1927 |
— |
Peru |
The Bridge of San Louis Rey |
appears as a projection in |
1700 |
— |
New York, NY |
The Merchant of Yonkers |
setting transferred to |
— |
— |
Edinburgh |
The Matchmaker |
place of (theatre) production of |
1954 |
— |
Newcastle, UK |
The Matchmaker |
place of (theatre) production of |
1954 |
— |
Berlin |
The Matchmaker |
place of (theatre) production of |
— |
— |